Claudio Toscani, "Il profeta e il bambino di Kahlil Gibran: 'Dietro di me la felicità davanti a me la gioia'", L'Osservatore Romano, Jul 16, 2014, p. 4 (review)
Daniel Sébastien Larangé, "Les Noces mystiques de l’Orient et de l’Occident selon l’évangile de Khalil Gibran", Studii şi cercetă filologice: seria limbi romanice, n. 15 vol. 1 (2014), pp. 26-49.
The relationship between East and West shapes the heart of the aesthetics and the ethics of Kahlil Gibran works. It takes a spiritual and universal dimension because it is already a part of the life of the artist who left his native Lebanon to arrive in Boston and New York, where he disappointed his entourage becoming a poor painter and writer. His conception on the subtle dialectic which articulates the two cultures allows him to regenerate the Arabic language and literature while spiritualizing the idiom and the American imagination. It demonstrates the interweaving of these two poles which apparently mutually exclusive but complementary to finally balance the world. It celebrates the alchemical wedding between Day and Night from which light of the world will spread. It’ s a real proclamation of a gospel.
Keith David Watenpaugh, Modern humanitarianism and the Year of the Locust: US relief in Palestine and Lebanon 1914–18, "Histories of humanitarian action in the Middle East and North Africa", Edited by Eleanor Davey and Eva Svoboda, HPG Working Paper, London: Humanitarian Policy Group, Overseas Development Institute, September 2014
Marco Beck, "Alla ricerca del vero volto dello scrittore e artista libanese Kahlil Gibran, sotto la maschera del 'profeta'", Il Chiosco, Mar 25, 2014, p. 6 (review)
Marco Roncalli, "Poesie e primavere arabe", Corriere della Sera, Mar 6, 2014, p. 11
Maria Lebedeva Swanson, The Russian Influence on the Literary and Critical Writings of Mikhail Naimy, The University of Arizona, 2014.
Sara Notaristefano, "La stanza del profeta di Kahlil Gibran", «incroci», 11, Jul-Dec 2005
Shereen Khairallah, Remembering Dr Ayyub Tabet (1875-1947), Dergham, Beirut 2014 (extract).
