Kahlil Gibran Collective

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al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.1, Bayrūt: Dār Ṣādir, 1949.
al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.1, Bayrūt: Dār Ṣādir, 1949.
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al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.2, Bayrūt: Dār Ṣādir, 1949.
al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.2, Bayrūt: Dār Ṣādir, 1949.
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al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.3, Bayrūt: Dār Ṣādir, 1949.

al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.3, Bayrūt: Dār Ṣādir, 1949.

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al-Nabī [The Prophet], Translated into Arabic by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], Bayrūt: Nawfal, 2015 (1st edition: Bayrūt: Nawfal, 1956).

al-Nabī [The Prophet], Translated into Arabic by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], Bayrūt: Nawfal, 2015 (1st edition: Bayrūt: Nawfal, 1956).

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Alyn Desmond Hine, "Russian literature in the works of Mikhail Naimy", SOAS, University of London, 2011.
Alyn Desmond Hine, "Russian literature in the works of Mikhail Naimy", SOAS, University of London, 2011.
 
This thesis looks at the dialogue between the twentieth-century Lebanese writer, Mikhail Naimy, and Russian literature of the nineteenth and twentieth centuries. The term ‘dialogue’ is based on Bakhtin’s idea of a reciprocal and mutually interacting relationship between literary texts, which therefore rejects the notion of influence based on a perceived hierarchy of ‘national literatures.’ It examines the literary texts of a writer who was educated by the Russian organisation, the Imperial Orthodox Palestine Society, in schools in Baskinta, Nazareth and Poltava. At the Poltava Seminary, Naimy became so immersed in the Russian language and culture that his teachers believed him to be as versed in Russian literature as any of his Slavic contemporaries. The thesis examines how Naimy’s love and interpretation of Russian literature was central to the creative trajectory he explored in Arabic literature in both New York and Lebanon, becoming an accomplished exponent of the art of the short story and critical essay, before he began to explore the possibilities of the novel and the drama. We analyse four key areas of Naimy’s writing, spirituality, politics, modes of expression and criticism, in order to ascertain how the dialogue with Russian literature manifested itself. By adopting an area-based study to the varied literary texts, we can consider how Naimy’s reading of Russian literature worked in correspondence with his own investigations into the tenets of theosophy, his socialist principles based on childhood experiences, the embracing of the short story and literary journal by the Syro-American literary circle in New York, and his style of criticism that was centred on an emotional response to literature rather than a textual analysis. The thesis also studies how Naimy’s relationship with Russian literature in these areas changed over the course of his long literary career.
 
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Amani Jebali, "Transcendence in The Book of Khalid and The Book of Mirdad", Université de Nantes, 2018.

Amani Jebali, "Transcendence in The Book of Khalid and The Book of Mirdad", Université de Nantes, 2018. 

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Associated Press, Obituary - Mikhail Naimy, Unknown Newspaper, February 1988.
Associated Press, Obituary - Mikhail Naimy, Unknown Newspaper, February 1988.
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Epistolary Exchange between Mikhail Naimy and Ameen Rihani
Epistolary Exchange between Mikhail Naimy and Ameen Rihani 
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In his letter in Arabic dated October 10, 1934, Naimy apologizes for not meeting with Rihani for the latter's invitation letter arrived late, and he invites him to Baskinta.
Source: Moise A. Khayrallah Center for Lebanese Diaspora Studies/Ameen Rihani Organization
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George Nicolas El-Hage, "A Journey in the Company of the Hermit of Shakhroub: Mikhail Naimy", Aqlam, issue 4, January 2022, pp. 8-23.
George Nicolas El-Hage, "A Journey in the Company of the Hermit of Shakhroub: Mikhail Naimy", Aqlam, issue 4, January 2022, pp. 8-23. 
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Hussein Muhammad Ali Dabbagh, "Mikhail Naimy: some aspects of his thought as revealed in his writings", Durham University, 1968.

Hussein Muhammad Ali Dabbagh, "Mikhail Naimy: some aspects of his thought as revealed in his writings", Durham University, 1968.

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Maria Lebedeva Swanson, The Russian Influence on the Literary and Critical Writings of Mikhail Naimy, The University of Arizona, 2014.

Maria Lebedeva Swanson, The Russian Influence on the Literary and Critical Writings of Mikhail Naimy, The University of Arizona, 2014.

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Mikhail Naimy (Mīkhāʼīl Nuʻaymah), al-Ghirbāl (The Sieve), Miṣr (Egypt): Yuṭlab min al-Maṭbaʻah al-ʻAṣrīyah li-ṣāḥibihā Ilyās Anṭūn Ilyās bi-Miṣr, 1923.

Mikhail Naimy (Mīkhāʼīl Nuʻaymah), al-Ghirbāl (The Sieve), Miṣr (Egypt): Yuṭlab min al-Maṭbaʻah al-ʻAṣrīyah li-ṣāḥibihā Ilyās Anṭūn Ilyās bi-Miṣr, 1923.

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Mikhail Naimy [Mikhaʼil Nuʻaymah], Hams al-Jufun [Eyelid Whisperings], Illustrated by the Author and Kahlil Gibran, Beirut: Maktabat Sādir, 1952 (1st edition 1945).

Naimy's only volume of collected poems appeared as late as 1945. It includes 44 poems and 4 drawings by the Author. One of the poems (If but Thorns Realized, pp. 28-29) is illustrated by a pencil drawing by Kahlil Gibran. In the drawing is a patch of rough, prickly bramble. Just outside the patch and all by itself stands a white lily with a long stalk. In the bramble and agonizingly caught by the thorns are a number of naked men hopelessly in search of the lily whose smell they detect but whose place they cannot identify. Near the lily and just outside the thorny patch stands a man giant. His back to the men and the thorns, and his head soaring high until it touches the clouds, he is able to see the flower and puts his right hand gently over it.

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Mikhail Naimy, Kahlil Gibran: A Biography, with a Preface by Martin L. Wolf, New York: Philosophical Library, 1985 (reprinted).

Mikhail Naimy, Kahlil Gibran: A Biography, with a Preface by Martin L. Wolf, New York: Philosophical Library, 1985 (reprinted).

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Mikhail Naimy, Sab'un [Seventy]: Story of a Lifetime, Second Stage, Beirut: Naufal, 1991 (7th Edition).

Mikhail Naimy, Sab'un [Seventy]: Story of a Lifetime, Second Stage, Beirut: Naufal, 1991 (7th Edition).

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Mohammed Abdul Ghani Hassan, "Ashaár wa shuaára min al-Mahjar" (Poems and Poets from the Diaspora), Kitab al-Hilal, number 266, February 1973.
Mohammed Abdul Ghani Hassan, "Ashaár wa shuaára min al-Mahjar" (Poems and Poets from the Diaspora), Kitab al-Hilal, number 266, February 1973.
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Nadeem N. Naimy, Mikhail Naimy: An Introduction, Beirut: American University of Beirut, 1967.
Nadeem N. Naimy, Mikhail Naimy: An Introduction, Beirut: American University of Beirut, 1967.
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Naimy - Kahlil Gibran: His Life, Death, Literature and Art

Mikhaʼil Nuʻaymah [Mikhail Naimy], Jubran Khalil Jubran: hayatuhu, mawtuhu, adabuhu, fannuhu [Kahlil Gibran: His Life, Death, Literature and Art], Bayrut: Matbaʻat Lisan al-Hal, 1934.

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Ṭansī Zakkā, "Mīn Nu'aymah wa Jubrān", Beirut: Matbaʻat al-Ma'rifah, 1988.

Ṭansī Zakkā, "Mīn Nu'aymah wa Jubrān", Beirut: Matbaʻat al-Ma'rifah, 1988.