Maurice Maeterlinck, The Wrack of the Storm, cover design by Kahlil Gibran, New York: Dodd, Mead and Co., 1916.
Maurice Maeterlinck, Thoughts from Maeterlinck, cover design by Kahlil Gibran, New York: Dodd, Mead and Co., 1903.
Maurizio Schoepflin, "Kahlil Gibran: Vita e versi di un profeta bambino", Giornale di Brescia, Feb 15, 2014, p. 66 (review)
May Rihani, "Poetry that reaches Shores and Skies / La poesia che raggiunge le rive e i cieli", Pianeta Poesia, N° 1, Jan-Apr 2020, p. 9 (English-Italian).
Maya El Hajj, Aporias in Literary Translation: A Case Study of "The Prophet" and Its Translations, "Theory and Practice in Language Studies", Vol. 9, No. 4, April 2019, pp. 396-404.
Mayy Ziyadah, Rasaʼil Mayy [Letters of Mayy Ziyadah to various recipients, including Kahlil Gibran], Beirut: Dar Bayrut, 1954.
Ma‘raḍ al-fannānīn al-Lubnānīyīn fī al-Matḥafal-Waṭanī, Lubnān: al-Jumhūrīyah al-Lubnānīyah, Wizārat al-Tarbīyah al-Waṭanīyah wa-al-Funūn al-Jamīlah, 1947, pp. 10-11.
Mikhail Naimy (Mīkhāʼīl Nuʻaymah), al-Ghirbāl (The Sieve), Miṣr (Egypt): Yuṭlab min al-Maṭbaʻah al-ʻAṣrīyah li-ṣāḥibihā Ilyās Anṭūn Ilyās bi-Miṣr, 1923.
Naimy's only volume of collected poems appeared as late as 1945. It includes 44 poems and 4 drawings by the Author. One of the poems (If but Thorns Realized, pp. 28-29) is illustrated by a pencil drawing by Kahlil Gibran. In the drawing is a patch of rough, prickly bramble. Just outside the patch and all by itself stands a white lily with a long stalk. In the bramble and agonizingly caught by the thorns are a number of naked men hopelessly in search of the lily whose smell they detect but whose place they cannot identify. Near the lily and just outside the thorny patch stands a man giant. His back to the men and the thorns, and his head soaring high until it touches the clouds, he is able to see the flower and puts his right hand gently over it.
Mikhail Naimy, Kahlil Gibran: A Biography, with a Preface by Martin L. Wolf, New York: Philosophical Library, 1985 (reprinted).
Mikhail Naimy, Sab'un [Seventy]: Story of a Lifetime, Second Stage, Beirut: Naufal, 1991 (7th Edition).
Miss (Mary Elizabeth) Haskell's School for Girls, Boston, 314 Marlborough St. (Today Building's Planimetry).
Miss Barbara Young Will Talk on Gibran, "Democrat and Chronicle" (Rochester, New York), 02 Nov 1933, Thu, p. 8.
Modern American Writers [Gibran's Portrait of Howard W. Cook, 1918], "The Sun", Sunday, December 22, 1918, p. 5.
Mohammad Shahidul Islam, "Ameen Rihani: Founder of Mahjari Literature", The Arts Faculty Journal, Dhaka University, Vol, 3, Nos. 4 & 5 July 2008-June 2010.
Muhammad Mustafa Badawi, "A Critical Introduction to Modern Arabic Poetry", New York: Cambridge University Press, 1975.
Muḥammad Qarah ʻAlī, Shiʻr min al-mahjar, Bayrūt: Manshūrāt Ḥamad, 1954.
Muwashshahat Jadidah: al-Bahr; al-Sharurah; al-Jabbar al-Ri’bal; al-Shuhrah [Poem], Bi-al-Ams, wa-al-Yawm, wa-Ghadan [Poem], al-Ard [Poem], Ibn Sina wa-Qasidatuhu [Criticism], Ibn Sina [Drawing], al-Funun 3, no. 3 (October 1917), pp. 163-166; 171-172; 191-192 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].
Myriam Olguín Tenorio & Patricia Peña González, "La inmigración árabe en Chile", Santiago: Instituto Chileno Arabe de Cultura, 1990.
Nahnu wa Antum [We and You], Mira'at al-Gharb, vol. 12 no. 1316, January 6, 1911, p. 1 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].
Mikhaʼil Nuʻaymah [Mikhail Naimy], Jubran Khalil Jubran: hayatuhu, mawtuhu, adabuhu, fannuhu [Kahlil Gibran: His Life, Death, Literature and Art], Bayrut: Matbaʻat Lisan al-Hal, 1934.
Najma Abdullah Idrees, "The Concept of Death and its Development in Modern Arabic Poetry", Thesis presented for the degree of Doctor of Philosophy in the University of London - School of Oriental and African Studies, May 1987.
Narjes Ennasser and Rajai R. Al-Khanji, "Congruities and incongruities in Arabic literary translation: A contrastive linguistic analysis of 'The Prophet' by Khalil Gibran", Kervan–International Journal of Afro-Asiatic Studies, Vol 26, No 1 (2022), pp. 277-300.
Naseeb Arida (?), Synopsis of al-Funoon, Vol. 1, No 1, April 1913 (typescript)
Nathan Haskell Dole, Omar Khayyam the Tentmaker: A Romance of Old Persia, cover design by Kahlil Gibran, Boston: L.C. Page & Company, 1899 (reprint 1902).
Nessrine Naccach, "May Ziadé, pionnière téméraire du féminisme oriental", Atelier - Un Jour, une Parleuse», n°8, August, 2019.
Newsletter from the Syria-Mount Lebanon League of Liberation (1917)
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Night and the Madman (From "The Madman"), The Seven Arts, November, 1916, pp. 32-33.
Nubdha fi Fan al-Musiqa [The Music], New York: Al-Mohajer, 1905 [owned by Mary Elizabeth Haskell; inscribed by the Author].
A short ode to the art of music, it is the first book published by the author. He begins by comparing music to the speech of his beloved, opening the dialogue to how music was worshiped by civilizations of the past and concludes with short poetic descriptions of four modes of Middle Eastern music.
Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].
O Mother Mine, I Wandered Among the Mountains, Three Maiden Lovers [Three Lebanese Folk Poems Translated from the Arabic], Folk Songs of Many Peoples, Vol. II, New York: The Woman's Press, 1922, pp. 370-373; 380-381; 386-387.
