Kahlil Gibran Collective

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Ru’ya [Short Story], al-Hasan ibn Hani al-Mulaqqab bi-Abi Nuwas [Drawing], Ya Nafs [Poem], al-Funun 2, no. 1 (June 1916)

Ru’ya [Short Story], al-Hasan ibn Hani al-Mulaqqab bi-Abi Nuwas [Drawing], Ya Nafs [Poem], al-Funun 2, no. 1 (June 1916), pp. 1-3; 65; 70-71 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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Ru’ya [Short Story], An-Nashi’a (Feb. 1922), pp. 137-138.

An-Nashi’a (The New Generation) was a comprehensive monthly literary magazine dedicated to the advancement of scientific and cultural life in post-World War I Iraq. After the defeat of the Ottoman Empire in that war, Iraq was placed under a League of Nations mandate administered by the British. In 1921, a monarchy was established, and the country went on to gain independence from Britain in 1932. An-Nashi’a was founded at the beginning of the monarchy, and its first editorial declared that the new publication was a response to the needs of the new nation. Only three issues (called parts) appeared before An-Nashi’a ceased publication. The magazine was owned by Ibrahim Salih; its editor-in-chief was Hassan al-Bayati. Each issue started with long essays on a wide range of issues covering literature, science, arts, philosophy, history, new discoveries, lifestyle, and other news and anecdotes from around the world, especially from America. Examples of topics covered included the value of learning; sea life, minerals, and other resources; poets and poems; lessons from history, which cited Alexander the Great and Julius Caesar; sports, and particularly how American newspapers dedicated many pages on a daily basis to news about sports; the “don’ts” of social etiquette; and “immortal words,” a collection of wisdom attributed to figures from around the world, including George Washington. Overall, the magazine had a progressive and worldly air, although it remained anchored in Arabic culture. The last page was typically “from management” and was dedicated to correcting typographical errors, with apologies to the readers. In addition to the owner and the editor-in-chief, contributing writers included some of the leading pan-Arab intellectuals at that time, such as Iraqi Kurdish poet and philosopher Jamīl Ṣidqi Zahawi, Egyptian writer and essayist Mustafa Lutfi Manfaluti, Turkish-Egyptian poet Waliy ud-Deen Yakun, and Lebanese-American writer and artist Kahlil Gibran.

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Safia Boushaba, An Analytical Study of Some Problems of Literary Translation: A Study of Two Arabic Translations of K. Gibran's The Prophet, University of Salford, 1988.

Safia Boushaba, An Analytical Study of Some Problems of Literary Translation: A Study of Two Arabic Translations of K. Gibran's The Prophet, University of Salford, 1988.

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Salma Sa'igh, Suwar wa-dhikrayat [Images and Memories]

Salma Sa'igh, Suwar wa-dhikrayat [Images and Memories], Sao Paolo, Brazil, 1946 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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Salvador Janiné, "Oriente está de duelo", La Reforma, Jun 13, 1931, p. 3.
Salvador Janiné, "Oriente está de duelo", La Reforma, Jun 13, 1931, p. 3.
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Salvatore Ritrovato, "Poeti arabi della diaspora. Versi e prose liriche di Kahlil Gibran, Ameen Rihani, Mikhail Naimy, Elia Abu Madi", «Poesia», XXIX, 320, Nov, 2016, p. 68 (review)

Salvatore Ritrovato, "Poeti arabi della diaspora. Versi e prose liriche di Kahlil Gibran, Ameen Rihani, Mikhail Naimy, Elia Abu Madi", «Poesia», XXIX, 320, Nov, 2016, p. 68 (review)

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Sana Mcharek, "Kahlil Gibran and Other Arab American Prophets", The Florida State University, 2006.

Sana Mcharek, "Kahlil Gibran and Other Arab American Prophets", The Florida State University, 2006.

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Sand and Foam: A Book of Aphorisms, New York: Knopf, 1946 [1st edition: 1926].

In 1926 Gibran published Sand and Foam. It comprises about three hundred aphorisms of two to a dozen lines, generally written in the style of The Prophet. Sand and Foam is decorated with Gibran’s drawings, and the aphorisms are separated by floral dingbats also drawn by Gibran. Some scholars consider this book the off cuts of The Prophet, written on various materials from match box cartons and napkins whenever inspiration would take hold.

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Sara Notaristefano, "La stanza del profeta di Kahlil Gibran", «incroci», 11, Jul-Dec 2005

Sara Notaristefano, "La stanza del profeta di Kahlil Gibran", «incroci», 11, Jul-Dec 2005 

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Sarah Gualtieri, Gendering the Chain Migration Thesis: Women and Syrian Transatlantic Migration, 1878-1924, Comparative Studies of South Asia, Africa and the Middle East, Volume 24, Number 1, 2004, pp. 67-78.

Sarah Gualtieri, Gendering the Chain Migration Thesis: Women and Syrian Transatlantic Migration, 1878-1924, Comparative Studies of South Asia, Africa and the Middle East, Volume 24, Number 1, 2004, pp. 67-78.

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Sarah M. A. Gualtieri, "Between Arab and White: Race and Ethnicity in the Early Syrian American Diaspora", Berkeley-Los Angeles-London: University of California Press, 2009.

Sarah M. A. Gualtieri, "Between Arab and White: Race and Ethnicity in the Early Syrian American Diaspora", Berkeley-Los Angeles-London: University of California Press, 2009.

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Sarah M.A. Gualtieri, “From Lebanon to Louisiana: ‘Afifa Karam and Arab Women’s Writing in the Diaspora,” in Arab American Women: Critical Engagements, edited by Suad Joseph, Syracuse University Press, 2015.

Sarah M.A. Gualtieri, “From Lebanon to Louisiana: ‘Afifa Karam and Arab Women’s Writing in the Diaspora,” in Arab American Women: Critical Engagements, edited by Suad Joseph, Syracuse University Press, 2015.

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School Studies Kahlil Gibran - Gibran on the American Stage, "Al-Hoda", Nov. 26, 1932.
School Studies Kahlil Gibran - Gibran on the American Stage, "Al-Hoda", Nov. 26, 1932.
 
Source: Moise Khayrallah Center
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Sheila Turner, “Tales of a Levantine Guru”, Saturday Review, March 13, 1971, pp. 54–55.

Sheila Turner, “Tales of a Levantine Guru”, Saturday Review, March 13, 1971, pp. 54–55. 

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Shereen Khairallah, Remembering Dr Ayyub Tabet (1875-1947), Dergham, Beirut 2014 (extract).

Shereen Khairallah, Remembering Dr Ayyub Tabet (1875-1947), Dergham, Beirut 2014 (extract).

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Ship Manifest (Nieuw Amsterdam, 1910)

Ship Manifest (Nieuw Amsterdam, 1910)
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Passenger Record

  • First Name: Kahlel
  • Last Name: Gebian [Gebrian/Gibrian?]
  • Nationality: Turkey, Syrian
  • Last Place of Residence: Paris, France
  • Date of Arrival: October 31st, 1910
  • Age at Arrival: 27y
  • Gender: Male
  • Marital Status: Single
  • Ship of Travel: Nieuw Amsterdam
  • Port of Departure: Rotterdam, Holland
  • Manifest Line Number: 0012
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Ship Manifest (Saint Paul, 1902)

Ship Manifest (Saint Paul, 1902)
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Passenger Record

  • First Name: Gibran K.
  • Last Name: Gibran
  • Nationality: Syria, Syrian
  • Last Place of Residence: Beyrouth
  • Final Destination in the United States: Boston, Mass.
  • Date of Arrival: May 10th, 1902
  • Age at Arrival: 20y
  • Gender: Male
  • Marital Status: Single
  • Occupation: Student
  • Ship of Travel: Saint Paul
  • Port of Departure: Southampton
  • Manifest Line Number: 0014
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Ship Manifest (Spaarndam, 1895)
Ship Manifest (Spaarndam, 1895)
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Passenger Record
  • First Name: Jubran
  • Last Name: Rhamé
  • Nationality: Syria, Syrian
  • Date of Arrival: June 17th, 1895
  • Age at Arrival: 11y
  • Gender: Male
  • Ship of Travel: Spaarndam
  • Port of Departure: Rotterdam via Boulogne
  • Manifest Line Number: 0273
Also his half-brother, mother and sisters were inaccurately listed as follows:
 
  • Poutros Rhamé, aged 20, merchant
  • Camé Rhamé, aged 40
  • Marianna Rhamé, aged 9
  • Sultaní Rhamé, aged 7
  • Intended Destination: New York
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Shmuel Moreh, Modern Arabic Poetry (1800-1970), Leiden E.J. Brill, 1970
Shmuel Moreh, Modern Arabic Poetry (1800-1970), Leiden E.J. Brill, 1970
 
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Siegfried Sassoon on Kahlil Gibran, Journal, 10 Feb. 1920 (manuscript)
Siegfried Sassoon on Kahlil Gibran, Journal, 10 Feb. 1920 (manuscript)
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Siegfried Loraine Sassoon (1886-1967), well known as a highly decorated English soldier and writer, was one of the leading poets of the First World War. His verse, that described the horrors of the trenches and satirized the patriotic spirit, greatly influenced Wilfred Owen )1893-1918(, who was the most famous poet- soldier of English literature and to whom Sassoon was mentor. 
On 28 January 1920, Sassoon arrived in New York for a lecture tour and Gibran, eager to draw him for his ”Temple of Art,“ got an appointment with him on 10 February. On that cold and snowy Tuesday, the two lunched together and Sassoon accepted to sit for a portrait. After coming back to the Seville Hotel, at 88 Madison Avenue, Sassoon wrote down in his notebook: 
”Tues. 10th - Dreary morning of thawing snow. Lunched with Kahlil Gibran, a little Syrian artist & poet; he did a drawing of me. He has done Masefield & Yeats with success, & showed me Rodin & Debussy, which looked all right. He seems a very nice creature. Nothing commercial about his point of view. (Tuesday, 10 Feb. 1920)“ 
Thanks to this unique document it is now possible to attribute an identity to a portrait hitherto left unnamed amongst others kept safe by the Gibran National Committee, Beirut, Lebanon. 
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- Physical Location: Cambridge University Library, Department of Manuscripts and University Archives 
- Classmark: MS Add.9852/1/14 
- Title: Journal, 21 Jan. 1920-22 Apr. 1920, p. 18