Kahlil Gibran Collective

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Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

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Esteban Fayad, "Libaneses inmortales: Gibran Khalil Gibran", Mundo Árabe, Oct 20, 1947, p. 10.

Esteban Fayad, "Libaneses inmortales: Gibran Khalil Gibran", Mundo Árabe, Oct 20, 1947, p. 10.

 

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Esteban Fayad, "Panegirico a la memoria de Gibran", Mundo Árabe, Jun 14, 1957, p. 9.
Esteban Fayad, "Panegirico a la memoria de Gibran", Mundo Árabe, Jun 14, 1957, p. 9.
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Esteban Fayad, "Poder taumatúrgico de las palabras", Mundo Árabe, Aug 19, 1949, p. 9.

Esteban Fayad, "Poder taumatúrgico de las palabras", Mundo Árabe, Aug 19, 1949, p. 9. 

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Étienne Naveau, "La réception de l’œuvre de Khalil Gibran en Indonésie", Archipel 75, Paris, 2008, pp. 63-110.

Étienne Naveau, "La réception de l’œuvre de Khalil Gibran en Indonésie", Archipel 75, Paris, 2008, pp. 63-110.

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Eugene Paul Nassar, Cultural Discontinuity in the Works of Kahlil Gibran, MELUS, Vol. 7, No. 2, Between Margin and Mainstream (Summer, 1980), pp. 21-36.

Eugene Paul Nassar, Cultural Discontinuity in the Works of Kahlil Gibran, MELUS, Vol. 7, No. 2, Between Margin and Mainstream (Summer, 1980), pp. 21-36.

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Eugenio Griffini, Siria Siriana [Syrian Syria], La Lettura (Corriere della Sera), XVIII, 11, November 1, 1918
Eugenio Griffini, Siria Siriana [Syrian Syria], La Lettura (Corriere della Sera), XVIII, 11, November 1, 1918, pp. 772-779.
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Exhibition of Drawings [Catalogue], New York: M. Knoedler & Co., February 19-March 3, 1917.

Exhibition of Drawings [Catalogue], New York: M. Knoedler & Co., February 19-March 3, 1917.

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Exhibition of Mr. Kahlil Gibran's Studies [Review], The Wellesley College News, 05-26-1909

Exhibition of Mr. Kahlil Gibran's Studies [Review], The Wellesley College News, 05-26-1909, p. 4 . 

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Exhibition: Forty Wash-Drawings by Kahlil Gibran [Catalogue], New York: M. Knoedler & Co., January 29-February 10, 1917.

Exhibition: Forty Wash-Drawings by Kahlil Gibran [Catalogue], New York: M. Knoedler & Co., January 29-February 10, 1917.

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Exhibition: Pictures by Kahlil Gibran [Catalogue], New York: Montross Gallery, December 14-30, 1914.

Exhibition: Pictures by Kahlil Gibran [Catalogue], New York: Montross Gallery, December 14-30, 1914.

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Exposition des Artistes Libanais à l'Occasion du Mois de I'Unesco, Beyrouth: Unesco, 1948.

Exposition des Artistes Libanais à l'Occasion du Mois de I'Unesco, Beyrouth: Unesco, 1948.

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Fadi Ahmad Al-Issa, "Living on the Hyphen: The Literature of the Early Arab-American Between 1870-1940", The Florida State University, 2003.

Fadi Ahmad Al-Issa, "Living on the Hyphen: The Literature of the Early Arab-American Between 1870-1940", The Florida State University, 2003.

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Fakhri G. Saghiyyah, The Government of Dr. Ayoub Tabet: March to July 1943, Beirut: American University of Beirut, 1961.

Fakhri G. Saghiyyah, The Government of Dr. Ayoub Tabet: March to July 1943, Beirut: American University of Beirut, 1961.

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Fame, translated by Andrew Ghareeb, The Syrian World, 3, 10, April 1929, p. 28

Fame, translated by Andrew Ghareeb, The Syrian World, 3, 10, April 1929, p. 28 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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Felix Faris papers
Felix Faris papers 
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Between 1921 and 1922 Felix Faris (Filīks Ḥabīb Fāris, 1882-1939), a prominent Lebanese activist, journalist, writer, poet and translator, spent seven months in the United States. In New York he met the members of “Arrabitah” – The Pen Bond (al-Rābiṭah al-Qalamiyyah) – and became a close friend of Gibran, who considered him a «great literary brother.» He met Gibran for the first time on January 27, 1922, in New York, at Marie El-Khoury’s (Mārī Azīz al-Khūrī, 1883-1957), a refined Syrian-born American journalist and jewelry designer, who had invited them to dinner at her table. Her dinners are told legendary, because «she often served meals in which every course was the color of a gemstone,» and their conversation on that occasion lasted until three o’clock in the morning. Felix recorded his impressions of Gibran in his journal and, when his friend died, he published in Lebanon excerpts from them and exchanged letters. Reading his memories of his stay in the United States, we learn that Felix was upset by Kahlil’s emaciated looks, who in that period suffered a weak constitution, but admired his willpower, despite his disease. Gibran loved his friend’s poems and appreciated best amongst the others Munājāt al-Nafs (Soliloquy), but his favorite one was Turbat al-Judūd, to the point that he promised its author that he would have translated it into English, and he kept the promise. When Felix returned to Lebanon, he received from Kahlil this untitled manuscript: [Forefathers’ Ashes] From the pain of bitter parting To the laughing, faithless sea: From the merciless waves of fear, And then to prison and despair! Is this what I sought, my Salwa, When I left you and my home? And behold me now, in a night Whose ears are deaf to my cries, Whose eyes are blind unto my grief. But what if my morn should come? And the star of my morn should rise? What would they bring save a memory To a heart over-burdened with memories? O my thoughts, my stricken thoughts, Fly not towards my homeland, And enter not into my house, Lost, you touch with your dark wings The sleep-veiled eyelids of my mate. Oh for a breath from that fragrant vale, Oh for a draught from that singing stream And for a handful from my forefathers’ ashes To be strewn, as they lay me low, Into my lonely grave. According to what was told by Felix Faris, Gibran’s translation of the poem was published in some «literary magazine,» but there is no other information about it. He never saw Gibran again, and kept the manuscript safe as a precious relic of the great man and poet.
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Floyd Starr, Kahlil Gibran Was a Man I called My Friend (Undated Talk)
Floyd Starr, Kahlil Gibran Was a Man I called My Friend (Undated Talk) 
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Floyd Elliot Starr (1883-1980) was the founder and president of the Starr Commonwealth for Boys in Albion, Michigan, which he guided for more than fifty years. After attending Albion College and receiving his Bachelor of Arts degree in 1910, he was employed at the Bernarr McFadden’s Healthatorium in Chicago and then at the Beulah Home for Boys. In 1913, he was able to purchase forty acres of land on Montcalm Lake and established his own nonprofit home and residential school for delinquent, homeless, and neglected boys, that later became the Starr Commonwealth for Boys.
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Foreign and American Painters [Catalogue], New York: M. Knoedler & Co., November 27-December 16, 1916.

Foreign and American Painters [Catalogue], New York: M. Knoedler & Co., November 27-December 16, 1916.

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Fragmentos de El Loco de Kahlil Gibran: La Ciudad Santa (Excerpts from The Madman by Kahlil Gibran: The Blessed City, translated into Spanish), Clarinidas, Santiago de Chile, Year II, No. IV, Sept. 1926, pp. 5-6.
Fragmentos de El Loco de Kahlil Gibran: La Ciudad Santa (Excerpts from The Madman by Kahlil Gibran: The Blessed City, translated into Spanish), Clarinidas, Santiago de Chile, Year II, No. IV, Sept. 1926, pp. 5-6.
 
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Francesco Medici, "Figli dei cedri in America. Il carteggio tra Ğubrān Ḫalīl Ğubrān e Amīn Fāris al-Rīḥānī", La rivista di Arablit, I, 1, June 2011

Francesco Medici, "Figli dei cedri in America. Il carteggio tra Ğubrān Ḫalīl Ğubrān e Amīn Fāris al-Rīḥānī", La rivista di Arablit, I, 1, June 2011, pp. 83–112.